Did an AI Music App Just Snitch on the Song of the

What happened

There is no such thing as a universal “song of the summer” anymore, but if you’re into rap music, Fenix Flexin’s “Rubberz” is a pretty strong contender. Officially released in June, it currently sits at No. 58 in the Billboard Hot 100 and has a music video with 7 million views.

On Thursday, a music producer named Medasin posted a video claiming he’d figured out how Fenix used AI to make the track. It wasn’t Suno, or Udio, the two most prominent generative AI tools for making music. Instead, Medasin says, Flexin had used a lesser-known app called Treblo.

Medasin breaks down his accusation methodically: First, he points out that the app used to be called Sonauto until two days before “Rubberz” was released. And then he shows a screen cap of one of Fenix’s old Instagram Stories teasing his new ’80s sound. ” But the most compelling accusation comes when Medasin shows how he was able to use Treblo to create a very similar track.

By using tags like “80s synthwave” and prompting the app to write lyrics about a “rapper lifestyle,” Medasin got a similar-sounding song. ” “There's just way too many coincidences,” Medasin said in an interview with WIRED. ” This all made me curious, though. Would Treblo allow me to re-create a “Rubberz”-style song? It turns out: yes.

By entering tags like “80s synthwave” and asking it to make rap lyrics, I got not only a similar sound but similar lyrical structures. ” I continued to generate songs. Even with slight variations, any time I combined an “80s” tag with a prompt for “rap lyrics,” I got similar results.

Why it matters

Lyrically, it’s got everything you’d want: boasts about cash and jewelry, and bars that work as a double entendre for braggadocio and depression. ” First, it isn’t a rap song at all; it’s a synth-pop tune that would be at home in a moody ’80s playlist. Also, since it dropped, it’s been the focus of accusations that it was completely or partially AI-generated.

The argument reached a peak this weekend after an independent music producer claimed he’d figured out not only how Fenix had made “Rubberz” but that the rapper’s labelmate, Tyga, also seems to have used a little-known generative AI music app to create some ’80s-themed tunes of his own.

And now, the creators of that same AI music app have effectively snitched on both: The service’s new built-in detector is now flagging the songs made by both Fenix and Tyga as likely AI-generated. This may finally settle the argument fans have been having all summer. It won’t settle the one they’re about to start.

People were suspicious of Fenix from the beginning; “Rubberz” is not only an unusual genre shift for the artist, it also doesn’t sound like his voice in the song.

Fenix Flexin grew up in East Hollywood, and he sounds like it, and when he debuted as part of the group Shoreline Mafia in the late 2010s, you could always recognize which bars were his because of his somewhat nasally, congested voice. The voice on his June 5 release of “Rubberz,” however, is completely unrecognizable.

It’s a lot brighter and crisper, and the accent sounds closer to a very chipper Morrissey. Both he and the credited producer, Purps on the Beat, have denied using AI at every turn. Fenix told Channel 5 that he “freestyled” the lyrics, and in the comments of an On the Radar performance, he replied to people accusing him of using AI: "No sirrrrrrr, recorded same as all music I do!

" Not everyone bought his explanation, but there was no proof otherwise. As the summer continued, music media debated whether “Rubberz” had been AI-generated. But none of the well-known AI music detectors flagged it, Fenix denied it, and the song continued to rack up plays. Fans had no choice but to get comfortable with the question being unresolved. Then, things shifted suddenly.

What to watch

Whereas ChatGPT seems to like goblins, em dashes, and “it’s not X, it’s Y” constructions, Treblo’s engine seems to be obsessed with “finger/linger” rhyme pairs, talking about rings and glass and pockets, and song constructions in which there is a thematic transition from night into day.

Medasin says his Treblo revelation happened a month ago, but he kept it quiet; he figured some journalist would do the legwork of connecting the dots for the public. This did happen on a smaller scale, perhaps most thoroughly on an AI music news site called Zinstrel, but it never really broke through. Medasin’s video was the first to capture attention. As Thursday went on, it seemed that Medasin had struck a nerve with his video accusation.