
Listen to this: Mabe Fratti’s experimental cello pop
The opening notes of “Kravitz”, which kicks off Mabe Fratti’s 2024 record Sentir Que No Sabes , are lodged in my brain permanently. The way they ring out before coming to an abrupt stop, fuzz still hanging in the air, set against a simple kick and snare sat firmly in the pocket. Meanwhile, “Oidos” leans fully into chamber pop, with echoed cello stabs, plaintive trumpet, and what sounds like an autoharp.


